Photos @djsedick The air inside Lion Arts Center was thick with history, ghosts, and that old Adelaide sweat that seeps into the floorboards after two decades of breakdowns and feedback. You could almost taste the nostalgia — the faint tang of beer-soaked memories, the hum Read More …
The ghosts of Ocean Avenue never really left — they just waited for the right chord to ring out again. And now, in 2025, Yellowcard have come roaring back, dragging a generation’s heartstrings through time and memory with every note of their new album. I Read More …
I didn’t just watch DEVILOOF’s new track “INSHU.”I got dragged into it — face first, screaming, and loving every second of it. This isn’t your average “guy watches video” moment. This is me sitting in front of my screen and witnessing a sonic exorcism — Read More …
There’s something beautifully paradoxical about Shelter. A band that preaches detachment through the most intense form of attachment — hardcore punk. I hit record for this one not knowing I’d be slammed headfirst into a wave of spiritual fury and devotional groove that only Shelter Read More …
The well’s poisoned again. After fifteen long years of silence, the Florida titans of post‑hardcore chaos, Poison the Well, have clawed their way back into the bloodstream with their first new track since 2009: “Trembling Level.” It’s jagged, it’s haunting, and it bleeds the DNA Read More …
Metal isn’t meant to be polite. It’s not supposed to sit in the corner with its hands folded — it’s supposed to rip the walls down and leave you staring at the wreckage, wondering what the hell just happened. Enter Behind Starvation, a gang of Read More …
The streets are twitching again, the gutters coughing up riffs and paranoia, because Mike Muir — the eternal cyco in a bandana — has cracked open the vault and muttered the sacred words: a new Suicidal Tendencies record is coming. Not tomorrow, not today, but Read More …
There I was, headphones clamped on like a lifeline, diving headfirst into the world of PRESIDENT—two visualizers back-to-back, “Dionysus” and “Conclave.” And let me tell you, this wasn’t just pressing play on some new tracks; it was like being dragged through a ritual in a Read More …
There are moments in heavy music where the weight of the riffs, the scream of the vocals, and the very marrow of the song cut deeper than just another blast of noise. Conjurer’s brand new single “Let Us Live” — unleashed through Nuclear Blast Records Read More …
Australia’s own blackened death metal war machine, Werewolves, are back swinging with their brand-new single “Fools of the Trade.” It’s a savage opening salvo from their upcoming album The Ugliest of All, dropping September 19 via Back on Black. To get to the rotten core Read More …
The machine is awake. You can hear it grinding, spitting sparks, echoing across the frozen expanse of Northern Ontario. From Sudbury—where smokestacks bleed into steel skies—comes a new force in Canadian metal: Hatred’s Rise. At the heart of it all is guitarist, producer, and sonic Read More …
Some interviews crackle with chaos before you even hit record. That’s what it felt like sitting down with Sergi “Bobby” Verdeguer, the rhythmic engine of Andorra’s progressive death metal machine Persefone. A ten-minute blast, no filler, just pure velocity — like being dropped into one Read More …
