Andreas Kisser opens up on Sepultura’s final tour, creative evolution, and why the band is ending on their own terms. Read More …
Andreas Kisser opens up on Sepultura’s final tour, creative evolution, and why the band is ending on their own terms. Read More …
Joel Hokka (ex-Blind Channel) discusses his new project HOKKA and the album Via Miseria IV. In this emotional interview, he opens up about leaving Blind Channel, creative freedom, rock bottom, and the personal journey behind his new music. A raw, honest conversation about identity, rebirth, and finding your own voice again. Read More …
There is something fitting about Via Miseria IV arriving wrapped in shadow, melancholy, and myth. For all the talk around HOKKA being a new band, this does not feel like a fresh start built from nothing. It feels more like the aftermath of fire. It Read More …
There’s no off-switch inside Nervosa right now—only momentum. With Slave Machine, Prika Amaral steps fully into the fire, transforming from reluctant frontwoman into the driving force of a band that’s no longer rebuilding—but evolving into something sharper, faster, and far more dangerous. Read More …
Evergrey have built a legacy on darkness—but now something’s shifting. In this raw interview, Tom S. Englund opens up about their most “positive” album yet, the risks of evolving their sound, and what Australian fans can expect when the storm hits. Read More …
Bands don’t last this long by accident. They last because someone in the room refuses to let the thing die. CKY’s story is one of endurance — fractured eras, long gaps, reinvention by necessity rather than choice. What’s left now isn’t a band coasting on Read More …
There’s a certain kind of electricity that only exists when a band survives its own mythology — and Saosin are standing right in the middle of it. Two decades deep, scars earned, legacy intact, and somehow still swinging. Ahead of Saosin’s Australian self-titled 20th anniversary Read More …
There’s something beautifully unhinged about watching Dave Graney — the eternal Australian shapeshifter, the man who’s worn more musical skins than most artists even dare to touch — gearing up to step into the shadow-slicked world of Lou Reed. And not as a cheap imitation, Read More …
I usually spend my days knee-deep in distortion and blast beats — chasing the thunder of heavy music, the guttural roars and riff-laden chaos that define our world. But before there was death, doom, or distortion pedals, there was The Animals. They laid the blueprint Read More …
The ghosts of Ocean Avenue never really left — they just waited for the right chord to ring out again. And now, in 2025, Yellowcard have come roaring back, dragging a generation’s heartstrings through time and memory with every note of their new album. I Read More …
Released digitally earlier this month and now available physically via Deko Records, Hope Found Me is a 12-track showcase of Shavrock’s dynamic sound. Produced by none other than Ron “Bumblefoot” Thal (ex–Guns N’ Roses), who also laid down guest guitar solos on “Kaleidoscope” and “Amen,” Read More …
There’s a moment—if you know, you know.You stand in front of a cranked amp, you hit one note, one impossibly heavy chord—and the air splits like a crowbar to the ribs. Your hair flies back like you’re in a wind tunnel built by Satan himself. Read More …