THE ABSOLUTION SEQUENCE: INSIDE THE FINAL CHAOS OF A DEATH METAL CONFESSION

A raw, behind-the-scenes death metal interview exploring the chaos of modern recording, touring life, and the fragile systems that hold extreme music together — from click tracks and studio breakdowns to life on the road in The Absolution Sequence. Read More …

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DEATH METAL AS A MIRROR: WOUTER STARES BACK INTO THE VOID – A Goat As Our Shepherd

Death metal isn’t just noise—it’s reflection. In this interview, Wouter of A Goat As Our Shepherd dives into philosophy, humanity, and the chaos behind their latest album, turning brutal music into something deeply introspective. Read More …

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Ron Vento of Aurora Borealis on Disillusioned By The Illusion and 30 Years of Extreme Metal

Three decades in, Aurora Borealis still sound like a band answering to nobody but themselves. That has always been part of the appeal. Across the years, Ron Vento has built Aurora Borealis into something that feels fierce, atmospheric, and deeply personal, never settling into one Read More …

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IMMOLATION Don’t Try to Sound Evil. It Just Happens

New York death metal legends Immolation return with Descent, and guitarist Robert Vigna reveals why the band doesn’t try to sound evil—it just happens. Read More …

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Jack Owen On Next To Die And The Evolution Of Six Feet Under : Death, Groove And A Band Locked In

After more than three decades in death metal, Six Feet Under aren’t slowing down, they’re sharpening their edge. With their 15th studio album Next To Die arriving April 24 via Metal Blade Records, the band return with a record that doesn’t just revisit their past, Read More …

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VANTA Are Building Worlds and Burning Them Down

VANTA aren’t just writing songs—they’re building collapsing worlds and dragging you into them. Perpetual Selection feels less like an album and more like a warning signal, blurring the line between cosmic horror and human reality in a way that’s as unsettling as it is addictive. Read More …

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ULCERATE: THE SONIC APOCALYPSE APPROACHING AUSTRALIA

Ulcerate are coming for Australia — and they’re bringing total sonic annihilation. We sat down with the band ahead of their 2026 Aussie tour to talk their seventh album, Cutting the Throat of God, life in extreme metal, and the man behind the chaos on the drums, Jamie Saint Merat. Read More …

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Jack Owen on Next to Die: Death Metal, Lyrics, & Chaos Behind Six Feet Under

Jack Owen of Six Feet Under talks Next to Die, death metal riffs, lyric writing, touring, and the evolution of a genre-defining band.
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Cryptic Shift Are Building A Cosmic Death Metal Universe — And We’re Just Trying To Keep Up

Progressive death thrash UK outfit Cryptic Shift take us on a journey through cosmic sci-fi dimensions in their latest album Overspace and Super Time. In this unhinged interview, Xander Bradley and Ryan Sheperson reveal the inspirations behind their concept-driven universe, their songwriting process, and the story of “The Recaller.” From riffs to alien worlds, dive into the extreme metal adventure that’s pushing boundaries across the galaxy. Read More …

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Blood, Riffs & Madness: My Wild Chat with Matt McGachy of Cryptopsy

Cryptopsy aren’t just coming back to Australia — they’re dropping in like a meteor made of blastbeats and bad intentions. With Matt McGachy at the helm since 2007, the band has carved a new era of brutality, sharpening their sound into something violent, technical, and Read More …

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Anggrath Erupts: Adelaide’s Freshest Heavy Beast Goes for the Throat

Adelaide’s underground spat up something loud, raw, and writhing recently, and I had the pleasure of letting it crawl across my desk — Anggrath, the newest death-metal creature stalking South Australia. You might’ve heard their debut single “Turn You Into Taxidermy” ripping through the digital Read More …

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Inside the Grinder – Steffen Hustert Talks German Death Metal with Killer

There’s something brutal about German efficiency — especially when it’s turned loose inside death metal. I sat down with Steffen Hustert from Soul Grinder, the man responsible for shredding those riffs into fine, blood-soaked powder onstage. He might not write the bulk of the material, Read More …

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