Bands don’t last this long by accident. They last because someone in the room refuses to let the thing die. CKY’s story is one of endurance — fractured eras, long gaps, reinvention by necessity rather than choice. What’s left now isn’t a band coasting on Read More …
There’s a certain kind of electricity that only exists when a band survives its own mythology — and Saosin are standing right in the middle of it. Two decades deep, scars earned, legacy intact, and somehow still swinging. Ahead of Saosin’s Australian self-titled 20th anniversary Read More …
There are moments in this gig where reality bends a little — where you’re suddenly sitting across from someone who didn’t just shape heavy music, they scarred it into the planet.That was me with Max Cavalera, rolling into Adelaide with Soulfly like a dust storm Read More …
There’s a certain kind of electricity that crackles around Froth & Fury Fest — part chaos, part community, part “holy hell, how did they pull that off?” It’s the kind of festival that feels like it was born in a back-alley brewery and raised on Read More …
There’s something beautifully unhinged about watching Dave Graney — the eternal Australian shapeshifter, the man who’s worn more musical skins than most artists even dare to touch — gearing up to step into the shadow-slicked world of Lou Reed. And not as a cheap imitation, Read More …
There’s a certain voltage that hits when you sit down with a frontman who’s lived enough miles, mistakes, victories, and breakdowns to fill a dozen albums. That’s the energy Matty Mullins walked in with — not chaotic, not unhinged, but focused in that way a Read More …
Some bands walk into the scene with a demo, a handshake, and a dream. Voidatlas kicked the door off its hinges, rewired the structure, and left the Denver skyline buzzing like a downed powerline. Their debut EP Surrounding doesn’t just introduce them — it stalks Read More …
Some bands reunite.Anberlin reload. Twenty years after Never Take Friendship Personal carved its place into the DNA of an entire scene, Anberlin are storming back into Australia — not as a nostalgia act, not as a museum piece, but as a living, breathing, combustible force. Read More …
There’s something wild brewing in North Queensland, and it’s not a cyclone this time—it’s Shark Eyes, the young nu-metal bruisers who’ve been quietly sharpening their teeth since 2023. Their new single “It Ends Here” is a straight-up emotional sledgehammer, the kind of track that sounds Read More …
There’s a certain electricity that hits the air when a band like Born of Osiris starts stirring again — that neon-purple cyberstorm they conjure, the one that feels like getting kicked through a digital wormhole while a prophet screams at you in binary. And right Read More …
Cryptopsy aren’t just coming back to Australia — they’re dropping in like a meteor made of blastbeats and bad intentions. With Matt McGachy at the helm since 2007, the band has carved a new era of brutality, sharpening their sound into something violent, technical, and Read More …
Adelaide’s underground spat up something loud, raw, and writhing recently, and I had the pleasure of letting it crawl across my desk — Anggrath, the newest death-metal creature stalking South Australia. You might’ve heard their debut single “Turn You Into Taxidermy” ripping through the digital Read More …
