By Jai That Aussie Metal Guy | Crannk.com | Interview #666 feat. Killer
When it comes to bands that truly live and breathe evolution through their art, Conjurer stand in a league of their own. The UK’s genre-defying heavy quartet has always blurred the lines between the crushing and the cathartic, and their upcoming album Unself — out October 24th via Nuclear Blast Records — sees them dive even deeper into self-reflection, purpose, and emotional truth.
I had the absolute pleasure of catching up with Brady Deeprose (guitar/vocals) for my 666th interview — joined by my Crannk brother Chris “Killer” Causby — to talk about the creation of Unself, the growth of the band, and what this next era of Conjurer represents.
Breaking the Mold: A New Chapter for Conjurer
Since the release of their 2018 debut Mire and their critically acclaimed follow-up Páthos in 2022, Conjurer have consistently proven themselves as one of Britain’s most dynamic heavy acts. With Unself, they’ve gone beyond the boundaries of heaviness and into something far more personal. That sense of directness resonates throughout the album’s nine tracks. Rather than filling every second with sonic obliteration, Conjurer leaned into space, tension, and atmosphere, allowing the songs to breathe — making the heavy moments hit even harder.
Songwriting, Sound, and Soul
The band’s renewed creative approach was made possible by their trust in each other and the supportive studio environment with producer Joe Clayton at Nø Studio and The Nave.
That emotional throughline is anchored by vocalist/guitarist Dani Nightingale’s deeply personal journey. Diagnosed with autism and later discovering their non-binary identity, Dani’s self-discovery became a core inspiration for Unself — reflected in both the album’s title and lyrical themes. The record documents not just personal acceptance, but the rebuilding of identity in a world that often feels isolating and chaotic.
Tracks like Let Us Live — which opens with a powerful sample from activist and politician Carla Antonelli — channel both the personal and the political, confronting the continued oppression of trans lives with visceral honesty and urgency. Meanwhile, This World Is Not My Home, an adaptation of a century-old gospel piece, explores alienation and belonging — a recurring motif in Conjurer’s music.
Tones, Textures, and Intentional Production
In our chat, Brady also dove into the technical side of crafting the record’s sound. The band employed a mix of new and familiar gear to shape tones that matched the emotional depth of the material.
The album was mastered by Katie Tavini (Weird Jungle, Liverpool), with additional textures and ambient layers added by Tom Ragsdale. Guest vocals on Let Us Live come from a collective of friends and fellow musicians, underscoring the sense of community at the heart of Unself.
Finding Purpose and Connection Through Music
Conjurer’s mission remains simple: make heavy music and have fun doing it. But Unself carries a newfound weight — the sound of four individuals creating with purpose and reaching outward through honesty and vulnerability.
With Australian tour plans in the works for 2026 — and appearances at major festivals already lining up — Conjurer are ready to bring Unself to fans around the world. And judging by the passion behind this record, the live experience will be nothing short of transformative.
Final Thoughts
Unself isn’t just another album in Conjurer’s growing legacy — it’s a statement of artistic growth, emotional honesty, and resilience. It proves that heaviness isn’t just about volume or aggression — it’s about truth, empathy, and the courage to evolve.
Conjurer’s Unself will be released October 24th, 2025 via Nuclear Blast Records.
🎧 Pre-order and pre-save here: https://conjurer.bfan.link/unself.yde
